for violoncello, 2 keyboards und 5 trumpets (2018)

Score


Duration 
20 min
Performances 
Klang-Festival Copenhagen 2021
Arena Festival Riga 2018
GAIDA Festival Vilius 2018
Studio Recording 
Video 
Instrumentation 

Violoncello
2 Keyboards
5 Trumpets

 

Comment 
Sadedz! is exploring the classical music instrument. Whatever which sound, being played live or electronically, the sounds stem from real music instruments, sounds of which there are so many admirable. At same time, it is an experiment of sound unity versus sound masses. The sound unity may be achieved through the unisone, or by the multiplication of the same instrument, the trumpets. Finally, sound unity may also be a single instrumental sample, played manifold by the keyboard players. Sound masses evolve through passages, in which each of the many different keys of the two keyboards represent different instrumental sounds, and even each time they are pressed again, mean again a new instrumental sound.  In the second part, a skaliņ is burning down.

Sadedz, dedzi mans skaliņ, sadegšu ar tevi arī es (latvian)
Burn, my kindling, burn down. You and me, we will burn down together
for violoncello, 2 keyboards und 5 trumpets (2018) Score Duration   20 min Performances   Klang-Festival Copenhagen 2021 Arena Festival Riga 2018 GAIDA Festival... read more »
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for violoncello, 2 keyboards und 5 trumpets (2018)

Score


Duration 
20 min
Performances 
Klang-Festival Copenhagen 2021
Arena Festival Riga 2018
GAIDA Festival Vilius 2018
Studio Recording 
Video 
Instrumentation 

Violoncello
2 Keyboards
5 Trumpets

 

Comment 
Sadedz! is exploring the classical music instrument. Whatever which sound, being played live or electronically, the sounds stem from real music instruments, sounds of which there are so many admirable. At same time, it is an experiment of sound unity versus sound masses. The sound unity may be achieved through the unisone, or by the multiplication of the same instrument, the trumpets. Finally, sound unity may also be a single instrumental sample, played manifold by the keyboard players. Sound masses evolve through passages, in which each of the many different keys of the two keyboards represent different instrumental sounds, and even each time they are pressed again, mean again a new instrumental sound.  In the second part, a skaliņ is burning down.

Sadedz, dedzi mans skaliņ, sadegšu ar tevi arī es (latvian)
Burn, my kindling, burn down. You and me, we will burn down together
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